The storm as an editor

The rain began after dark, which is when I am least equipped to have an opinion about weather. I heard it first on the patio, a scattered applause, then a steadier work. The air coming through the screen smelled like warm dust being forgiven. I did not get up. I have a talent for receiving grace horizontally. By morning the sky was rinsed to a paler blue, and the lawn looked like a different draft of the same page: wet, darker, suddenly ambitious.

Overnight is the word we use when we do not want to admit that hours have passed in a direction we did not supervise. The rain supervised. It filled the shallow places. It made a temporary river along the fence where the ground never quite levels. It woke the weeds with the energy of a reunion. I stood at the door in socks I should not have worn outside and felt the particular humility of realizing that I had been calling the yard tired when it was only waiting.

Warm soil after summer rain is a smell I would know in another country. It is mineral, slightly sweet, a little like a greenhouse and a little like a penny. I crouched, because this journal has turned me into a person who crouches, and put my palm down. The ground was alive in a way dry ground is not. I do not mean spiritually. I mean biologically, insistently, without my permission.

There is a joke in there if you like your jokes quiet: I spend weeks trying to encourage grass, and a single night of weather does more than my character. The joke is on my theory of control. It is also on my theory of despair. The yard was not dying in the way I had been narrating. It was pausing. I had mistaken a pause for a verdict, which is a mistake I make with people too.

Weeds, invited

By late morning the weeds had the look of guests who were told the party started at eight and arrived at seven with food. They occupied every gap I had been meaning to address. Some I recognized from earlier campaigns. Some felt new, which may only mean I had not been looking. Rain does not create a new plot so much as it reveals the plot that was already seeded.

I pulled a few because I am still a person who believes in gestures. The soil gave them up easily, which felt like a trick. Easy pulling is often a promise of easy returning. I left more than I took. If this is a philosophy, it is a tired one, but I prefer it to the fantasy of a sterile lawn. A sterile lawn, in this climate, is a rumor spread by photographs.

The dry patch near the fence was, for a few hours, not dry. It was a dark, almost handsome rectangle. I had the unwise thought: maybe this is the turning. The sun, which had only stepped out for a cigarette, came back. By evening the patch was already fading toward itself. Rain changes everything overnight. It does not, unfortunately, change geology, grade, or my watering habits by noon.

Still, I will not talk myself out of the morning. The morning was a fact. Water hung on the oak leaves and dropped when a breeze passed, a delayed rain with better manners. A worm made an appearance and then thought better of it. The whole neighborhood smelled briefly like a single yard, which is as close to civic unity as we get in July.

The illusion of a reset

I wanted the rain to be a reset button. I wanted to wake into a version of the season in which I had not fallen behind. Weather does not offer that. It offers a different problem with better lighting. The grass will grow faster now. The mower, which has been living in the shed as a piece of sculpture titled Intention, will become relevant in a way I cannot postpone with adjectives. The hose will be needed, then left out, then coiled, then needed again. Rain is not an ending. It is a plot twist that still requires characters.

And yet I walked the fence line with something that resembled hope, if hope can be small and slightly muddy. The leaves in the quiet corner were heavier, less inclined to scatter. The air had been rinsed of that metallic heat-hum for a few hours. I could hear, instead, the gutters completing their one job. I could hear a neighbor’s door, a voice, the ordinary continuation. The storm had not delivered a new life. It had delivered a pause in which the old life looked possible.

I wrote this while the patio was still drying in continents. There is a map of the rain on the concrete if you like looking for maps. I like looking for maps. I also like the less literary truth: the yard got wet, the weeds got ideas, the grass remembered its job, and I remembered that I live in a place where the sky can still overrule my mood. That overrule is not always kind. Last night it was. I am recording the kindness before the next high sun arrives and pretends none of this happened.

Tomorrow I will probably complain again. Consistency of temperament is not one of my outdoor skills. For today I will let the overnight change stand without immediately turning it into a chore list, which is my usual way of refusing wonder. The grass is greener. The soil is warm and dark. The fence is dripping in a way that would be sentimental if I described it twice. Once is enough. I have seen the yard rewritten, and I was asleep for the best sentences.